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Metro Tracks: Single Tracking with MS MR

The idea for Metro Tracks started last summer when my iPod somehow shuffled a tiny fraction of my library into a blissful commuting mix. It reached aimlessly across genres and generated sonic perfection by combining bhangra, Sigur Ros, Bright Eyes, Keith Urban (?!?!), and lots more – it somehow all yinned and yanged, despite the weirdness.

This is NOT one of those playlists.

I’ve known about MS MR for a while, but for whatever reason, in the past 48 hours, I’ve listened to nothing of note other than their Secondhand Rapture (released May 14 on IAMSOUND). I don’t hate it.

The singer-producer duo is a futuristic Florence and the Machine with slightly less spook and a bit more sex. From vocals to music to presence, there’s the depth of Florence, but it’s all a bit more organic and less guarded. Below, there’s a list of the best songs from Secondhand Rapture. You’d be crazy not to check these out. (Go to Spotify for better audio quality on the YouTube songs.)

MS MR at Sweetlife 2013

MS MR at Sweetlife 2013

Head is Not My Home is the single track that launched this recent obsession. Its first verse seems fairly tame; if you aren’t listening on good headphones, you might miss the foreboding bass drum. Lizzy Plapinger’s talent really reveals itself for the first time in the chorus. The lyrics themselves, their percussive delivery, that faint “oh” paired with a well-placed boom of that cannonlike bass drum – it all makes for a truly epic chorus, one that shows itself even better in the final minute of the song, as Plapinger lets go of all inhibition and just belts. Delicate keyboards and perfectly placed backing vocals accompany the whole ride. It’s invigorating, exhausting, and 100% addictive.

“Hurricane” – MS MR’s first single

“Ash Tree Lane” – Slightly more low-key as a whole, but you won’t get away from a big, textured chorus.

Think of You has some lyrics that could have come from any angry 15-year-old’s diary. That doesn’t mean it’s not catchy as hell.

Salty Sweet – Handclaps, sliding vocals, minimalism. Irresistable.

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